The two Australian actors replaced Rufus Sewell and Maggie Gyllenhaal, who were forced to drop out after the production shut down for six months during the early days of COVID-19. We meet his parents, Vernon and Gladys, played by Richard Foxburgh and Helen Thompson. The script by Luhrmann, frequent collaborator Craig Pearce, Sam Bromell ("The Get Down") and Jeremy Doner ("The Killing") moves along at a face pace, featuring lots of narration from the colonel and a multitude of characters as the film attempts to touch on the more major events in the singer's life - all in two hours and 39 minutes. Austin Butler, who beat out several others for the role, and Tom Hanks share a moment in a scene from "Elvis," director Baz Luhrmann's biopic on Elvis Presley. By the way, Hanks spent between two-and-a-half to five hours each day in the makeup chair to achieve the look of the heavyset promoter. Tom Parker (a very heavily made-up Tom Hanks), now near-death and eager to set the record straight on whether he was a manipulative charlatan or someone who had the singer's best interests at heart. We then encounter the singer's aging former manager, Col. The film begins with a big visual splash – Presley's famous "TCB" ("Taking Care of Business") logo, which blends into the Warner Bros. The movie is elevated even higher by Oscar-winning co-star Tom Hanks and the stunning visual style of acclaimed writer/director Baz Luhrmann ("Romeo + Juliet, "The Great Gatsby"). Now, a 30-year-old actor named Austin Butler – probably best known for his role as Charles Manson follower Tex Watson in "Once Upon a Time….in Hollywood" – has given us his take on the famed performer in the new theatrical film "Elvis," and he has simply hit the ball out of the park. Probably the most acclaimed performance (and deservedly so) was delivered by Kurt Russell in "Elvis," the 1979 TV movie directed by John Carpenter. Numerous actors have tried playing the King in big and small-screen productions: Don Johnson in "Elvis and the Beauty Queen" from 1981, Michael Shannon in 2016's "Elvis and Nixon," and David Keith in the 1988 effort, "Heartbreak Hotel," just to name a few. There are millions of adoring, protective fans who will watch and critique every move and curled lip. Tackling the role of Elvis Presley is a daunting challenge.
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